Subject: Theory of Art
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Front Matter

Introduction: Creative Disruption in the Age of Soft Revolutions Get access

in Columbia Scholarship Online > Industry and Intelligence: Contemporary Art Since 1820
Published: 08 March 2016
Chapter

Projection and Parallelism Get access

Liam Gillick
in Columbia Scholarship Online > Industry and Intelligence: Contemporary Art Since 1820
Published: 08 March 2016
Chapter

ASAP Futures, Not Infinite Future Get access

Liam Gillick
in Columbia Scholarship Online > Industry and Intelligence: Contemporary Art Since 1820
Published: 08 March 2016
Chapter

Maybe It Would Be Better If We Worked in Groups of Three? Get access

Liam Gillick
in Columbia Scholarship Online > Industry and Intelligence: Contemporary Art Since 1820
Published: 08 March 2016
Chapter

The Experimental Factory Get access

Liam Gillick
in Columbia Scholarship Online > Industry and Intelligence: Contemporary Art Since 1820
Published: 08 March 2016
End Matter

Notes Get access

in Columbia Scholarship Online > Industry and Intelligence: Contemporary Art Since 1820
Published: 08 March 2016
Chapter

Images That Do Not Rest: The Installations of Lawrence Malstaf Get access

Alena Alexandrova (ed.)
in Fordham Scholarship Online > Breaking Resemblance: The Role of Religious Motifs in Contemporary Art
Published: 01 May 2017
End Matter

Notes Get access

in Fordham Scholarship Online > Breaking Resemblance: The Role of Religious Motifs in Contemporary Art
Published: 01 May 2017
End Matter

Bibliography Get access

in Fordham Scholarship Online > Breaking Resemblance: The Role of Religious Motifs in Contemporary Art
Published: 01 May 2017
Chapter

Marcel Broodthaers, An Artist in Quotation Marks Get access

Patrick Greaney
in Minnesota Scholarship Online > Quotational Practices: Repeating the Future in Contemporary Art
Published: 01 March 2014
End Matter

Notes Get access

in Minnesota Scholarship Online > Quotational Practices: Repeating the Future in Contemporary Art
Published: 01 March 2014
End Matter

Acknowledgments Get access

in Minnesota Scholarship Online > Quotational Practices: Repeating the Future in Contemporary Art
Published: 01 March 2014
End Matter

Acknowledgments Get access

in Minnesota Scholarship Online > Quotational Practices: Repeating the Future in Contemporary Art
Published: 01 March 2014
Chapter

The destruction of art Get access

Jared Pappas-Kelley
in Manchester Scholarship Online > Solvent Form: Art and destruction
Published: 01 February 2019
Front Matter

Introduction: Staying on the Surface Get access

Ron Broglio
in Minnesota Scholarship Online > Surface Encounters: Thinking with Animals and Art
Published: 21 November 2011
Book
Surface Encounters: Thinking with Animals and Art

Surface Encounters: Thinking with Animals and Art Get access

Ron Broglio
in Minnesota Scholarship Online
Published: 21 November 2011
Chapter

Close Reading Get access

Roberto Simanowski
in Minnesota Scholarship Online > Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations
Published: 16 June 2011
Chapter

Mapping Art Get access

Roberto Simanowski
in Minnesota Scholarship Online > Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations
Published: 16 June 2011
Chapter

Code, Interpretation, Avant-Garde Get access

Roberto Simanowski
in Minnesota Scholarship Online > Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations
Published: 16 June 2011
End Matter

Bibliography Get access

in Minnesota Scholarship Online > Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations
Published: 16 June 2011