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Subject: Literary Studies (Plays and Playwrights)
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Chapter

‘in the grip of the monster’ Get access

Sam Haddow
in Manchester Scholarship Online > Precarious Spectatorship: Theatre and Image in an Age of Emergencies
Published: 01 December 2019
Chapter

Theatre, exposure and the exterior Get access

Sam Haddow
in Manchester Scholarship Online > Precarious Spectatorship: Theatre and Image in an Age of Emergencies
Published: 01 December 2019
End Matter

Appendix: A Brief History of Emergencies Get access

Sam Haddow
in Manchester Scholarship Online > Precarious Spectatorship: Theatre and Image in an Age of Emergencies
Published: 01 December 2019
Chapter

Introduction: Cross-Currents in Performance Criticism Get access

James C. Bulman
in The Oxford Handbook of Shakespeare and Performance
Published: 06 December 2017
Chapter

Experimental Shakespeare Get access

Susan Bennett
in The Oxford Handbook of Shakespeare and Performance
Published: 06 December 2017
Chapter

Shakespeare and the Contemporary: Psychology, Culture, and Audience in Othello Production Get access

Bridget Escolme
in The Oxford Handbook of Shakespeare and Performance
Published: 06 December 2017
Chapter

Not-Shakespeare and the Shakespearean Ghost Get access

Peter Kirwan
in The Oxford Handbook of Shakespeare and Performance
Published: 06 December 2017
Chapter

(How) Should We Listen to Audiences? Race, Reception, and the Audience Survey Get access

Ayanna Thompson
in The Oxford Handbook of Shakespeare and Performance
Published: 06 December 2017
Chapter

Documenting the Demotic: Actor Blogs and the Guts of the Opera Singer Get access

Cary M. Mazer
in The Oxford Handbook of Shakespeare and Performance
Published: 06 December 2017
Chapter

The Time Is Out of Joint: Shakespeare, Jet Lag, and the Rhythms of Performance Get access

Robert Shaughnessy
in The Oxford Handbook of Shakespeare and Performance
Published: 06 December 2017
Chapter

Reverie of a Shakespearean Walker Get access

Robert Conkie
in The Oxford Handbook of Shakespeare and Performance
Published: 06 December 2017
Chapter

Intimate and Epic Macbeths in Contemporary Performance Get access

Kathryn Prince
in The Oxford Handbook of Shakespeare and Performance
Published: 06 December 2017
Chapter

‘It’s All a Bit of a Risk’ Reformulating ‘Liveness’ in Twenty-First-Century Performances of Shakespeare Get access

Stephen Purcell
in The Oxford Handbook of Shakespeare and Performance
Published: 06 December 2017
Chapter

Performance in Digital Editions of Shakespeare Get access

Sarah Werner
in The Oxford Handbook of Shakespeare and Performance
Published: 06 December 2017
Chapter

Can the Subaltern Sing? Liz White’s Othello Get access

Courtney Lehmann
in The Oxford Handbook of Shakespeare and Performance
Published: 06 December 2017
Chapter

Global Shakespeare and Globalized Performance Get access

Dennis Kennedy
in The Oxford Handbook of Shakespeare and Performance
Published: 06 December 2017
Chapter

Slapstick Against Stereotypes in South Sudan’s Cymbeline Get access

Rose Elfman
in The Oxford Handbook of Shakespeare and Performance
Published: 06 December 2017
Chapter

Irish Theatre in Europe Get access

Ondřej Pilný
in The Oxford Handbook of Modern Irish Theatre
Published: 01 September 2016
Chapter

Irish Theatre and Historiography Get access

Eamonn Jordan
in The Oxford Handbook of Modern Irish Theatre
Published: 01 September 2016
Chapter

Cestrian Collaborations: Creating Texts, Casting, and Moving en Masse Get access

Matthew Sergi
in Chicago Scholarship Online > Practical Cues and Social Spectacle in the Chester Plays
Published: 26 October 2020